Lynch's films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. Instead, she shows how he subverts traditional Hollywood gender roles to offer an optimistic view that love and human connection are really possible.įor nearly 40 years, David Lynch's works have enthralled, mystified, and provoked viewers. Nochimson's interpretations explode previous misconceptions of Lynch as a deviant filmmaker and misogynist.
These include Twin Peaks: Fire Walk with Me, Wild at Heart, Twin Peaks, Blue Velvet, Dune, The Elephant Man, Eraserhead, The Grandmother, The Alphabet, and Lynch's most recent, Lost Highway. Nochimson begins with a look at Lynch's visual influences-Jackson Pollock, Francis Bacon, and Edward Hopper-and his links to Alfred Hitchcock and Orson Welles, then moves into the heart of her study, in-depth analyses of Lynch's films and television productions. In this innovative book, she draws on these strategies to offer close readings of Lynch's films, informed by unprecedented, in-depth interviews with Lynch himself. To understand Lynch's films, Martha Nochimson believes, requires a similar method of being open to the subconscious, of resisting the logical reductiveness of language.
Differences in Dark Romaticism in Heart of Darkness and Apocalypse Now.Little Red Riding Hood Iterations, Once Upon a Time, RWBY (Anime-style), and Innocence to Maturity.Unrealistic SEXpectations in 50 Shades of Grey.History of Adaptation Using Plato's Republic/Short Story adapt.Storytelling and Empathy in Dickens' A Christmas Carol.Tropes of Female Power in Netflix's Spartacus.
Dark Romanticism in David Fincher's Se7en.Metaphysics of Modern Quest in The Hobbit.Chaucer and Christie and 7 Deadly Sins and Nihilism.Game of Thrones or Participatory Journalism.PTSD in Hemingway's BTHR and O'Brien's TTTC.New Historical Look at Kate Chopin's The Awakening Toggle Dropdown.Dickens, Christmas, and Commodification.
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